Monday, September 11th 2006


Great Moments in T cinematic History: Next Stop Wonderland
posted by Mike Mennonno @ 9:20 am in [ MBTA - fear & loathing in Boston - city life - Boston ]
I caught the last half of Next Stop Wonderland, which was released back in ‘98 but which I did not rush right out and see at the time for some reason, last night. Let me just say, first of all: she should have gone to Brazil, because if there were a Wonderland II, Orange Line (Next stop: Roxbury Crossing!), Hope Davis would have found that the dude whose armpit she wound up in (the actor’s name is Cheeseman, for chrissake) was a freakin crystal meth addict who was going to end up stealing her paychecks and blowing all their income on cross-dressing prostitutes he’s picked up at Jacques, thus forcing them to live two blocks from Jackson Square.

I did find the scene where she finally meets Mr. He’ll-Have-To-Do fairly accurate, I have to say. She’s on her way to the airport via blue line train, to catch a flight to São Paulo with some guy (well, not just some guy–the muito delicioso José Zúñiga, for the love of pete) she met only a couple days before. But she’s got misgivings. See, he’s a little too something for her. You know, his je ne sais quoi is off the charts. Mostly what he had too much of, seemed like to me, was sex appeal. Because everyone else in this movie was just utterly Blah. Ol’ hopeless Hope could’ve used someone like José to find her freak switch, and flip it on for her. Instead, she finds herself in thin-lipped Cheeseman’s armpit, totally intoxicated by his cheesiness, apparently, and they run off to Revere Beach together. Now, that’s romance!

Anyway, what I found accurate, as I was saying, was when she’s on the blue line train, before ending up in Cheeseman’s armpit, and she looks around at all the people crowded into it during the morning rush hour, and it’s like the train of the living dead. I thought, right on. That’s it. You look around on the T and that’s just what you see. Zombies. Thinking to themselves: “why can’t I just die, already?”

And then she runs off with one of the living dead, to have zombie crack babies (hey, that’d be a great name for a band, don’t you think?)! And José finds another blonde on the plane to make eyes at and serenade with samba. All’s well that ends well.




Saturday, September 9th 2006


Abominable or simply misunderstood? (Boston’s architectural abominations #2)
posted by Mike Mennonno @ 7:22 pm in [ city life - Boston - architectural abominations ]
I opened the old mailbag this morning and found this letter from Lars in Assen (that’s in the Netherlands–no, seriously):

Dear Mike,

What does constitute an architectural abomination?

Love, Lars.

That’s a good question, Lars!

There are buildings in Boston, as in any city, that are bad, but when does bad become abominable? Well, size is definitely a factor. I mean, take the Abominable Snowman.

If it turned out he was four-foot-three he would probably be downgraded to “the Annoying Snowman.” (And his salary would, of course, be adjusted accordingly.) He might even turn out to be “the Cute, Goofy, Lovable, Harmless, and Simply Misunderstood Snowman.”

In which case, calling him “abominable” would not only seem slightly malicious, it would probably say a lot more about those who called him that than it would about him in the end. So, we need to be mindful.

But context is also a factor. Our four-foot-three “Lovable Bumble” might still behave abominably towards a tribe of arctic pygmies who stand, on average, three-foot-four. To them he might still be justifiably “abominable.”

It may be instructive to have a look at an example or two of architectural annoyances that, to the untrained eye, might seem abominable, and might well be abominable in another setting, but don’t quite make it here.

On a walk through the business district yesterday looking for abominations I came across this slightly menacing structure on the corner of Franklin and Congress, which gave me pause:

It has some of the markings of an abomination, to be sure. The crappy materials and cursory construction. The lame trope of the round columns that weakly protest: “I am not just temporary shelter. Would I need ROUND columns if I were?” But ultimately I had to conclude over and against its pathetic protestations, that, indeed, it is a temporary structure that had only been pretending (and pretending poorly) to be permanent just long enough to get itself built in the first place. And, unfortunately, abominations are forever. So, no dice.

And let’s be frank. It simply isn’t enough of anything to be truly offensive. It’s like someone shouting an insult from a passing car. And? It might sting for a moment, but then it’s over, and you get on with your life. A true abomination does not run from confrontation. It seeks it out. And strikes again and again and again. It does not toss out a random insult from a safe distance. Determined, relentless, it seeks to crush everyone and everything in its wake with the insult of its undeniable existence. It is so big it easily snuffs out any protestation. “I AM!” It roars. “what’s done is done and cannot be undone!” Like Evil itself, once conjured it is so big it must be endured, for, barring a bigger evil bringing it down, it simply cannot be destroyed.

Of course, architectural abominations are of their very nature hugely imposing. They are the bullies of the urban landscape. Their size alone renders them powerful, and amplifies their disregard into a sustained psychic assault. Regardless of their original intent, they do violence to being simply by being.

It might be heresy to say it these days, but the World Trade Center towers in New York City were abominations, and the fact that there were two of them, side by side, was so in-your-face, it left no room at all for doubt. One was the insult, the other the injury. That it took an act of pure evil to bring them down shows you how close to pure evil they, themselves, were.

Unfortunately, I fear that what will replace them will be even worse. Because these new structures will be so overloaded with supercynical symbolic significance–I mean, “Freedom Tower”?–they’ll be giant glitzy beacons of kitsch. They’ve redesigned one with some flashy-ass diamonds on top that’ll light up at night.

But New Yorkers will adapt and eventually embrace whatever obscenity ends up scrawled on their skyline, because, frankly, what else can they do? Sometimes there’s nothing for it but to turn the other cheek. What we saw with the WTC, once the structures were gone, could only be defined as an architectural version of the Stockholm Syndrome. The bullied found that they had actually learned to love these bullies. New York and the world belatedly embraced these abominations.

But, I digress.

Our little architectural annoyance on Franklin and Congress with its ridiculous round columns tries in vain to convince us that it really is a permanent structure–it aspires to be abominable!–but it’s painfully obvious, even to the untrained eye, that it is a heap of concrete and glass just waiting to collapse in on itself. This whole building is merely a prelude to rubble. And abominations, as I’ve said already, are for the ages.

But what can it do but pretend? If it didn’t at least make some gesture toward pretending it was an actual building no one would feel safe enough–and just enough–to actually go inside it. It is not a great pretender (we’ll see some of those later), but it doesn’t need to be. It’s like those party-filler people you have to have at a gala, who everybody knows are just bodies, and nothing more. They make a cursory effort to dress for the occasion, but they still come off as shabby. And you don’t have to look closely to see it. They just don’t have it, whatever it is. That somebody thing. That golden aura of somebodiness. Instead they have the dull, brownish patina of anybodiness, like so many old spoons in a forgotten drawer somewhere.

You feel sorry for them, in a detached sort of way, but you realize parties need bodies, and not every body is going to be somebody’s body. Likewise, cities need buildings. What if you threw a city and no buildings came? Well, you’d be Des Moines. This little building knows what it is, and knows that knowing entails making some kind of minimal effort, however transparent, to pretend it doesn’t know. That’ll get you in the door.

But it’s clearly not an abomination. An architectural annoyance is as bad as it gets.

Contextwise, it is also at a definite disadvantage, being right across from–actually under the rump of the Level 1 Abomination of 100 Federal Street, dubbed “the pregnant building,” which is actually as close to an architectural rendering of a teatless Venus of Willendorf as a 1.3 million-square-foot office tower can get.

Now, I want to be perfectly clear about this. I have nothing against the Venus. Some of my best friends are, er, Venuses. But again, it’s a matter of degrees. The original Venus of Willendorf is 4 3/8 inches tall. The version on display at 100 Federal Street is 36 stories. And frankly, I don’t want to be standing under her when she drops her load, whatever her load may be. Know what I’m saying? Plus, like I said, 100 Federal Street has been rendered teatless, and…I mean, come on. If you’re gonna do it, do it.

But that’s not why 100 Federal Street is an abomination. It’s an abomination, first of all, because it’s plopped itself down in the middle of things without any attempt at all to harmonize with its surroundings. Look at the picture. It looks like an elephant in a crowded elevator. All the other buildings are like, “damn, guess I’ll, er, get out of your way.” That’s not how to be a nice building. That’s not how to make friends in the city.

It’s an abomination, secondly, because its proportions are clumsily provocative, but to no end. It provokes you and offers you nothing for your trouble. Like a chunky old painted harlot in a seedy bar who at last call, when you’re finally drunk enough, you find still just wants to talk. And what she wants to talk about is her sciatica, or her lifelong battle with lupus.

It’s not a sexy building. And while there’s no crime in not being sexy, a smarter building, like the Fiduciary Trust Building down the way at 175 Federal Street–

–can work it. Fiduciary Trust is a lovely structure, in its modest way. It knows its limitations, which is certainly the most important thing to know. It knows that black is slimming, which is the next most important thing to know. It’s a tad mysterious, with a tale to tell, but it’s not going to ram it down your throat. You’re going to have to notice it first, and then buy it a few drinks, and then a few more drinks, and then tease it out. But it’ll make it worth your while. It’s a Dorothy Parker kind of building–clever, incisive, sardonic, like “A Certain Lady”:

Oh, I can smile for you, and tilt my head,
And drink your rushing words with eager lips,
And paint my mouth for you a fragrant red,
And trace your brows with tutored finger-tips.
When you rehearse your list of loves to me,
Oh, I can laugh and marvel, rapturous-eyed.
And you laugh back, nor can you ever see
The thousand little deaths my heart has died.
And you believe, so well I know my part,
That I am gay as morning, light as snow,
And all the straining things within my heart
You’ll never know.

Oh, I can laugh and listen, when we meet,
And you bring tales of fresh adventurings, —
Of ladies delicately indiscreet,
Of lingering hands, and gently whispered things.
And you are pleased with me, and strive anew
To sing me sagas of your late delights.
Thus do you want me — marveling, gay, and true,
Nor do you see my staring eyes of nights.
And when, in search of novelty, you stray,
Oh, I can kiss you blithely as you go ….
And what goes on, my love, while you’re away,
You’ll never know.

Have you forgotten 100 Federal Street yet? The most abominable thing about it is that it’s such a behemoth it will be there forever, simply because it’s too much trouble to tear it down. Abominations, I can’t stress enough, are built to last.




Thursday, August 31st 2006


Mike and Markus’s Excellent Adventure
posted by Mike Mennonno @ 9:15 am in [ MBTA - city life - Boston - AFC ]

I took a long walk yesterday with my friend Markus from Tübingen, Germany, who is in town to get his MA in English. He had been staying in the YWCA (he claims not to have known what the “W” stood for) while looking for an apartment. He found one, but when we met at Back Bay Station yesterday he said he had to go back to the YWCA to leave his phone number for someone there. So we headed in that direction.

When we got there I waited outside on the corner of Berkeley and Appleton for him. I’ve been over there countless times through the years, but it’s really not until you find yourself just standing there looking around that you see things. And I’d just never really had occasion to stand around on that particular corner before. So when I looked across the street and saw this:

I was sort of surprised. Was it once a synagogue? When I got home I did a little research. The only mention I could find online was a brief one from The Boston Walks “Jewish Friendship Trail” site, that listed Berkeley and Appleton as stop #4, and said of the intersection simply:

“…near the corner of Berkeley and Appleton Streets, we can glimpse a vivid reason why Jews felt comfortable occupying several communal buildings at this intersection. Here, in the first floor of the Theodore Parker meeting house, Adath Israel ran its Sunday school beginning in 1875.”

If this is the Theodore Parker House–and it may or may not be–I don’t know why it would have a Star of David figuring prominently in the design, since Parker was not a Jew. He was an abolitionist, transcendentalist, deposed Unitarian minister (you know he was radical if he got chucked out of the Unitarian Church), and finally head of the Twenty-eighth Congregational Society of Boston, whose Appleton Street Chapel was built at the corner of Berkeley and Appleton Streets around the time the building in the picture was.

So, my curiosity is piqued. If anyone knows anything about any of this, give me a shout.

Marcus joined me after a few minutes’ musing on the street corner there, and we headed to Back Bay, eventually making our way through the public garden, for a stroll on Beacon Hill, where I noticed this in passing:

A found phallus. Just thought I’d share.

We walked from there to the Charles and found a park bench, and Markus ate a plum. And we watched the sky:

Then we decided to go to Cambridge. So we walked to the Charles/MGH T station. It has yet to be automated, and here, again, the T’s utter incompetence in this process was on glorious display. We could not use our Charlie Tickets, of course, and found ourselves scrambling to come up with change. Markus got his token, and then I handed the man in the token booth two dollar bills–I am absolutely sure of it–and asked for “one, please.” I got two tokens, and fifty cents back. For some reason. I didn’t complain. Seventy-five cents a trip seems totally reasonable to me. I think that’s about what the T’s worth these days. I felt somewhat, slightly–but only slightly–compensated for all the inconveniences. It could be a secret policy of theirs, to quell the fury of the masses with little random giveaways like this, making you sort of complicit in the conspiracy. I mean, you sort of think, OK, the incompetence is bearable if I get a free ride out of it occasionally.

In Cambridge we walked around Harvard Yard. I showed Markus a swarm of tourists who had come all the way from Southeast Asia to polish John Harvard’s shoe, even though it’s not really John Harvard. I asked him if he wanted to do it, too, and he said he would pass.

We had a quick bite to eat at the Friendly EATING PLACE on Mass Ave at Dana Street (roughly midway between Harvard and Central Squares). It’s been there forever, and as far as I have ever been able to tell, it’s no friendlier than any other EATING PLACE in the neighborhood, though no less friendly on the whole, either. The sign facing Dana Street is the most strictly accurate, reading simply “EATING PLACE.” Although people also talk and laugh and drink and watch the TV in the corner, and day-dream, and worry, and look at passersby through the window. But if you want to be all functional about it, I suppose it is an “eating place” first, and an all-those-other-things place second. The eats are, however, so-so at best.

So, we hopped back on the T at Central Square, where, of course, we could not use our tokens, and Markus’s Charlie Ticket was out of funds, and the train was coming, and I ran my ticket through, and next thing I know, Markus jumps through with me. No buzzers buzzed, no red lights flashed, and no one was in the station to do anything about it if they had. This was my first fare evasion experience (albeit a passive one) with the new automated system, and to be perfectly honest, it was painless.

Not that I myself would actively evade paying my fare, but I’m not one of those people who a bag of money drops out of the sky and lands on their heads and they go turn it into the authorities, either. You know, if the universe offers you a free ride, take it. It’ll all even out in the end. I’ve lost plenty of money feeding the T’s old token vending machines, and if the gods of the underground are seeing fit to pay me back a bit at the moment who am I to question their wisdom? Am I gonna spit in the eye of Providence?




Tuesday, August 29th 2006


since we’re on the topic of bikes
posted by Mike Mennonno @ 3:29 pm in [ city life - cycling in Boston - alternative transportation ]

Boylston Street has some of the most pathetic bicycle rackage in Boston. “Well, at least there are some bicycle racks,” doesn’t cut it. A surprising number of people share a pathetically small number of racks that were obviously put in more as a symbolic than a practical measure. But almost worse than the city’s half-assed gestures toward alternative modes of transportation in its core, are cyclists’ insensitivity to the needs of other cyclists. It’s sad, but not too surprising, truth told, that there’s really no solidarity among cyclists in the city. I mean, City of Brotherly Love Boston most assuredly is not.

At the risk of seeming like more of a prickly prick than I generally do, I would like to demonstrate two methods of racking your bike on the Boylston Street racks: the first would be the WRONG way, the selfish, inconsiderate way, since it allows for only two bikes to be racked at once. Whereas the second is the way that allows for four bikes. And, trust me, maximizing space is important during the work-week.

These are not ideal racks, as I’ve said, but you work with what you’re given. Really, the main point here is to think about others occasionally. You know, when you do, I swear to God things run much more smoothly for everyone. It’s not just being nice to no purpose. Being nice actually makes things work better. For real.

So peace out, and freakin rack your bikes up right, Boston!




Tuesday, August 29th 2006


making Boston more bearable, one bear on a bike at a time
posted by Mike Mennonno @ 5:36 am in [ city life - Boston - alternative transportation ]

Have you seen him yet?

My friend Tony spotted him over the weekend, on Mass Ave., if I’m not mistaken. And then, this evening as I was riding home, we crossed paths on Tremont Street.

He’s a skinny, scrappy old thing. Looks like he’s seen some tough times. But that’s life in the city, as my ma used to say, especially for a bear. But despite the patch of mange on his tattered old hide, and his worn old visage with its faded fur and sad, goofy smile, he’s ever so friendly, waving at everyone as he rides by. And waving in a nice way. He doesn’t freakin’ QUACK-QUACK at you, all aggressively, like you’re the butt of his joke. Just a neighborly little wave as he passes. Which is why people wave back.

He doesn’t stand for anything in particular. He’s not advertising anything that I can see. He’s just a bear on a bike. Which is enough, when you think about it.

We need to fix him up with a foxy, cycling she-bear, so they can get busy making baby bears. Because Boston most definitely needs more bears on bikes.




Sunday, August 27th 2006


bicyclists: scourge of the roads?
posted by Mike Mennonno @ 8:36 am in [ fear & loathing in Boston - city life - Boston - cycling in Boston - alternative transportation ]

Last week there was a firestorm over cycling in the city on the pages of The Globe. It was ignited by a letter to the editor from a certain Marika Plater, which is worth quoting in its entirety:

THIS IS to the man in the blue Volkswagen who screamed at me, with an obscenity, to get on the sidewalk when I was riding my bicycle on Memorial Drive last week. Actually, this is to all of the Boston drivers who have honked at me while I’m biking and following the traffic laws; who have given me the finger, cut me off, splashed puddle water all over me, and squeezed me to the curb.

I want to tell Boston drivers that they do not own the road. Bicycles belong on Boston streets as much as cars do. Especially because the number of bikers will rise as skyrocketing gas prices and heightened environmental concern cause people to seek new forms of transportation, drivers need to learn how to be respectful of bicyclists and to share the road.

So here’s an abbreviated list of Massachusetts bicyclist rules of the road:

Bicycles are allowed on all roads, unless there’s a sign that says they are prohibited.

Riding bicycles on sidewalks is discouraged in general and is illegal in Somerville and parts of Cambridge.

Bicyclists must obey traffic laws.

Bicyclists should use hand signals when turning.

Bicyclists should stay at the edge of the right hand lane when there is not a bike lane, unless making a left turn, in which case they can use the left lane.

Boston drivers: Bicycles have the legal right to share the road with cars . Please watch out for bicyclists and remember that we are not protected by pounds of steel as you are . Please be considerate rather than cruel when you encounter us on the road, and please look out your window before opening your car door. Biking in Boston does not have to be as stressful as it is .

Her rant elicited the obligatory counter-rant from a certain David McCaffrey of Waltham:

MARIKA PLATER must have a death wish (”Bicyclists belong on the roads, too,” letter, Aug. 17). No one in their right mind would ride a bicycle on Memorial Drive. Hundreds of bicyclists use the sidewalk along the Charles River daily. Is Plater so obtuse that she would risk her life because there is no road sign prohibiting bicycles?

She gives a list of bicycle rules. It’s more of a wish list. Not only do bicyclists disobey the rules, their aggressive actions are a real threat to pedestrians. While driving on Mass. Ave. in Cambridge recently, I observed a bicyclist swerving in and out of traffic at high speed. When he came to the red light, he blew right through, narrowly missing an elderly woman. I observed four more bicyclists blow through the same red light.

Why do so many bicyclists disregard the rules of the road? Probably because they are unaccountable. They need no license plate, registration, inspection, or insurance. They don’t even pay an excise tax , which helps pay for the roads they use.

The next time Marika Plater wants to vent, she should look to her fellow bicyclists.

Ouch.

People. First of all, calm down. There are no innocents in the war of all against all going on on Boston’s mean streets, so let’s not pretend we’re not all at fault here.

Secondly, one of the reasons cyclists behave the way they do is that as stressful as driving is in Boston, cycling is a hundred times more stressful. It takes a lot less to get yourself seriously injured or killed on a bike than it does in a car. because many Boston streets are not made with cyclists in mind, you have to develop some aggressive strategies to get from point A to point B. Until cycling is considered a serious transportation alternative, you will have guerrilla cyclists on the streets.

Which doesn’t entirely excuse bad behavior on the part of cyclists. And I have seen cyclists behaving very badly indeed–usually, but not always, those loathsome bike couriers, biking’s version of cabbies and truck drivers. They think because they do it for a living it gives them the right to dress and behave badly. It doesn’t.

I myself have rarely encountered any real trouble with motorists, to tell the truth. You do have to keep a look-out for motorists and pedestrians, but that’s just cycling in the city. I have not been honked at, given the finger, cut off, splashed or squeezed to the curb. Really. And I ride along Mass Ave for a good portion of my commute.

I do avoid traffic, and choose my routes carefully, though. I’m not biking to prove a point, I’m biking to get from point A to point B. And I give myself enough time to deal with unanticipated delays. So the main reason I have not encountered too much trouble on the road is that I anticipate it, and take measures to minimize the probability of it.

So it’s no tribute to Boston’s drivers, God knows. They have a real problem signaling turns. They routinely blow through red lights. And many have anger management issues. Instead of putting all the blame on cyclists, motorists like McCaffrey here should get out of their cars, hop on a bike, and ride through the streets every once in a while–not Memorial Drive, of course (he’s right that Plater’s a dork to do this).

What he would find is that all those things that annoy him about other drivers when he’s in a car, are multiplied and amplified to the nth degree on a bike. And they’re no longer merely annoyances that he can blare his horn at. They can be downright life-threatening when you’re riding a bike.

Not asking for sympathy, here, just telling it like it is.

And personally, I don’t object to a certification course for cyclists. In fact, there are courses on urban cycling offered by MassBike. The idea of an excise tax for cyclists, whose lightweight vehicles have hardly any impact on roads, and who in many parts of the city don’t have lanes of their own, is a little outlandish, however.

Cycling should be encouraged, and every measure taken to ensure it’s safe in the city. That means cyclists should learn the rules and the necessary skills, and that the city should work to build a cycling infrastructure that would minimize dangers of mixing with motor traffic. And motorists should get out of their cars on occasion and ride in the city, as well. They might learn a thing or two, and maybe, just maybe, they’d find a better way to get from point A to point B in the process.




Monday, August 21st 2006


Dorchester Resident Takes a Stand
posted by Mike Mennonno @ 9:26 am in [ city life - community initiatives - Dorchester ]

HERE.




Wednesday, August 16th 2006


Hump-day TMI
posted by Mike Mennonno @ 9:31 pm in [ MBTA - fear & loathing in Boston - city life - Boston - Too Much Information ]


My Inner Victim would like a word with yours. In private.

A Small, Good Thing

I had a daunting weekend, and it’s splattered all over my week so far. The weather has been more or less wonderful, of course, and I was able to spend a bit of time in the garden Saturday, but for some reason–maybe the planets are in an evil alignment– my relations at the moment are almost universally prickly. The ones that aren’t prickly are like trying to fit square pegs into round holes.

There are times when you’re in the flow, when all those seemingly disparate elements beautifully converge, and then there are times when nothing comes together, and all those perfectly merged elements scatter to the four winds again. Sometimes life is like looking through a kaleidoscope, isn’t it?

And sometimes you just find you’re in the dark. Usually when you bang into something head-first you didn’t see was right in front of you. So many disparate emotions, your thoughts crowding each other out. It’s all a lot of static. Nothing resonates.

It seems to augur change.

So I’m sitting in the movie theater with a friend, watching the thoroughly delightful Little Miss Sunshine, and at the end, when the little girl performs at the pageant—a wonderful scene, even if you saw it coming—I find myself bawling my eyes out. Hmm. Funny.

The movie was a “small, good thing,” to borrow Raymond Carver’s famous phrase. I liked the theme of impotently defying society’s rigid structures. And the peculiarly American take on that modern struggle between artifice and authenticity. I was impressed once again by Steve Carrell, whom I think is the next generation of a venerable comic tradition whose current best practitioner is Bill Murray.

This may have been a hybrid genre piece (dysfunctional family goes on a road trip), but it was a good one. As for whether genre pieces are worth seeing, there was an interesting article in the Sunday Globe by their film critic Ty Burr, about Snakes on a Plane, where the always astute critic asserted: “We go to movies–even honest schlock–not to see what we expect to see but to be surprised by what we hadn’t expected.”

But do we?

This assumption on the part of critics is really a presumption in disguise. It’s like saying that when we go out to eat we always want Chinese. We don’t. Sometimes we want Japanese, Italian, or Mexican. If we ordered a humonga-chonga, we will indeed be surprised if the waiter brings us mugu gai pan, but that’s not what we wanted. Novelty is sometimes not on the menu.

The critic might, out of ennui, choose to distill what is valuable in a picture to “surprise” or “originality,” but this contradicts everything we see in the actual history of art, where a genre is invented, replicated endlessly, mastered by degrees, finally perfected, and then parodied, mocked, and morphed in its decline, cannibalized and hybridized beyond recognition, until a new genre emerges.

The important thing to understand here is that “we” don’t necessary want to be “surprised”–movie critics, because they are bored, because they watch too many movies that seem to be too much alike, want to be “surprised.”

Why do people buy albums and listen to them over and over and over again until they know every lyric, every guitar lick, every little lilt in the lead singer’s voice? The Cult of the New is particularly modern. And has actually already been superseded. Postmodern architecture is not about out-and-out originality, but appropriation and recombination. The ascendant forms of entertainment, like video games, are not about originality or surprise, but about repetition and mastery.

But the point here is that there is no one reason to go to the movies. Sometimes we want the salve of ritual, the stations of the cross; sometimes we want surprise. For me narrative cohesion, pacing, good–that is to say authetic, appropriate–dialogue, and a dose of je ne sais quoi are the ingredients of greatness, regardless of genre.

Some of My Best Friends are Hedgehogs

As for prickly relations. I mean, aside from those that are just generally prickly, regardless. (And you know who you are!)…

I got a good dressing down from a relatively new FWP about my treatment of the Newbury Street shopper a couple weeks ago in my blog. To be fair, he admitted that if he had been people-watching on Newbury Street and she had passed by loaded up like a pack mule as she was, shaking her thang, he might’ve cracked wise, but he would not have gone home and written about it.

It is an interesting distinction. And there is definitely something to it. The diarist sometimes seems petty for recording for posterity off-the-cuff observations that come off seeming unseemly when the moment is past. This is the chief source of danger in keeping a diary, in fact, as anyone who has for any length of time and has the courage to read it over occasionally can tell you. Come to find, we are all petty.

What do we do when we see someone so utterly self-absorbed they don’t even realize they’re being stalked by bloggerazzi? We mock them at a safe distance. My new FB acknolwedged this. What is unseemly is admitting it after the fact. But there is a remedy even for this. Mock the blogger. Pierce made his point–”mock not lest ye be mocked”–by mocking me! Stalked by the online mockerazzi? Mock them back! We will all go down together! In a stinking plume of self-pity and scorn!

I think to many people I heard from on the issue it seemed “unfair,” but also a bit cowardly, particularly to photograph our mystery shopper, especially from behind. It’s like shooting someone in the back. I’ll own it. But come on, people. If you step outside your door these days you run the risk of being shot. It’s not everyone else’s responsibility to be watching your back for you.

Jewlicious and Jewdicious

Then at work yesterday one of my esteemed colleagues sort of pulls me aside, sweetly says she wants to ask me about something I recently wrote.

Now, I should preface this by saying, about a month ago another of my esteemed colleagues, an Italian gentleman, pulled me aside in the corridor (literally grabbing me by the collar) and growled: You MUSTa Write about a de WARRRRRAH! I was like, which one? I mean, Christ. Well, the Big One, of course. It’s Armageddon, you know.

But I didn’t write about that war, because no matter how judicious you try to be about it, you will get it from both sides, and, frankly, I don’t see where the big emergency is. This has been going on for millennia, and it will go on for many milennia more. It’s the freakin Hatfelds and McKahlils. What’s the rush to write something? And so what if it is the end of the world (which it isn’t)—then what?

But finally I did write something—not really about that war, but about the War on Terror, and not from the Jewish perspective, but from that of the humble Goy.

Oy.

After reading what I had written (which, for the record, made no mention of Israel, the Jews, Hamas, or Hezbollah), my colleague this morning (who is Jewish) totally JEWED-OUT on me.

To my Jewish friends out there (even ones who claim to be Reform Jews and to be all nonchalant about their Judaism): please calm the fuck down. Your homeland is under siege, I understand. It’s painful for you. I understand that, too. You don’t need to go around picking fights and casting aspersions for me to see it. We all see it.

By the way, my Jewdentials are impeccable. I’m not even talking about the part of me–eight and a half inches (give or take a few)–that’s German Jew. I won’t mention that one of the major romantic entanglements of my adult life was with an absolutely Jewlicious Hungarian Jew. (All I will say about it–TMI ALERT– is that in one of the great ironies of History and destiny, I was the circumcised one and he, like many assimilated East European Jews born post-WWII, got to keep his foreskin–where is the justice?)

Is the modern state of Israel problematic? Yes. Is the Arab world a mess? Mm-hmm. But Yahweh is a fighting God and Jews are fighters. Didn’t you see Yossi and Jagger? You want me to drop everything and rend my garments every time a missile is hurled at you? It sucks, but I only have so many garments to rend.




Saturday, August 5th 2006


Two Cities, or Merely a Tale?
posted by Mike Mennonno @ 1:50 pm in [ fear & loathing in Boston - city life - Boston ]

Apparently trying to make up for a slightly skewed sample in the previously referenced “debate” over urban violence, Metro went out to Mission Hill seeking forgiveness.

I think it would be too much to attribute method to Metro’s madness, but if you do, then you can look at it a couple of different ways: either the editorial staff wants us to think we live in a deeply divided city–the “Two Bostons” hypothesis, or we really do live in a deeply divided city, and it’s enough that a random, unscientific, infinitesimal sample bolsters this tale of two cities.

The third way to look at it is, like John said in his comment to the first post: “Sometimes I think the Metro pulls their ‘Today’s Debate’ section from old issues of The Onion.”




Wednesday, August 2nd 2006


heat and light
posted by Mike Mennonno @ 8:17 am in [ fear & loathing in Boston - city life - Boston ]

I noticed this weather has been making me a little crankier than usual. I always get a few emails chastising me for raging out, but, people, that’s what I’m here for. I’ve said it before. It’s like complaining that all the dishes at the Chinese Buffet have MSG in them. It’s just the nature of the beast. Don’t want the MSG? Don’t go the Chinese Buffet. Simple as that.

Yesterday I was useless. I went in to “work” in the morning, just to get out of the heat, but left around noon. I dropped in to the gym, which is in Chinatown, a couple blocks from Brattle Books–so a lot of times, if the weather’s good, I amble on down to the bookstore there, and browse the one-dollar section outside. I always leave with something.

The thing I like about used bookstores is that you go there with an open mind, and you leave with something you didn’t expect to find. I mean, I never go there looking for anything in particular. But sometimes what you find feels fateful. Maybe you’re thinking about something, trying to work something out in your head, And suddenly you open up a book, and there it is, right there in front of you.

Yesterday, on the one-dollar cart, I stumbled upon a book called Secrets of the Kabbalah, and thought: now, this will bring me closer to Madonna! It was full of beauty tips, particularly about grooming your beard. There was some fellow called Microprosopus, who has a most impressive beard. “That is the beard of adornment, true and perfect, from the which flow down thirteen fountains, scattering the most precious balm of splendour.”

I didn’t end up buying the book, but my interest in this Microprosopus character was definitely piqued. So when I got home I googled him. He was not on wikipedia. But there was an extensive entry on him in the Wisdom Archive at the Global Oneness Commitment at experiencefestival.com, that was enlightening to say the least:

Microprosopus (Latin) [from Greek mikros small + prosopon face]: Qabbalistic rendition of the Chaldean phrase Ze`eyr ‘Anpin (Short Face), which designates the nine smaller Sephiroth, in contradistinction from the Macroprosopus (Long Face). Microprosopus or the nine Sephiroth are the manifested universe or Third Logos unfolded in manifestation; whereas Macroprosopus (the Crown or Kether), the first and highest of the Sephiroth, is the First and Second Logoi considered as a unit, the purely spiritual universe and its roots. Hence the Microprosopus is the Logos manifested, and of such logoi there are many in boundless space. Naturally each such universe has its own Macroprosopus, Crown, or Kether, all these universes being united by their divine-spiritual roots in the Boundless.

Something clicked, you know?

I went back and listened to that song “Isaac,” on Confessions on the Dance Floor, right? About Isaac Mizrahi, right? And at the end, there’s this quote from Yitzhak Sinwani, this UberKabbalista of Madge’s acquaintance, where he’s like, “…the gates of heaven are always open, and he’s discovering the sky and the angels, how they sit, you know, in front of the light. That’s what it’s all about.” Yes, that’s what it’s all about. How could I have missed it? How the angels sit in front of the light, times thirty-seven, minus eleven, divided by the square root of one-hundred and three, carry the nine, and whoop! There it is!

Next I stumbled upon Nietzsche. I opened up his anthology right to his essay “Why I am so Clever” from Ecce Homo. So, why is Nietzche so clever? “I have never pondered over questions that are not really questions.” Whoop, there it is, AGAIN! In your FACE, Mizrahi!

But I did not leave with Nietzsche, either (He is a good drinking partner, but leave him at the bar). No, I left yesterday with Aphra Behn, the seventeenth century political satirist praised by none other than Virginia Woolf in A Room of One’s Own.

There was a little blurb on the back cover that read in part: “Famous for her frank eroticism—“ I’m there!—“…she was the ‘sole Empress of the Land of Wit’—yet two centuries of female modesty were to pass before she could again come into her own.” I found that interesting. Not least because it goes to show that the more you delve into the past, the more you see that many of our assumptions in the present are based on bunk. Time and history are just not linear. Which doesn’t mean they’re necessarily circular, either. I think string theory’s the answer.

Anyway, I go in to Brattle Books to make my purchase, right? I didn’t have any cash on me, so I paid with my debit card. I bought a couple other books, too, but the whole sale came to under ten bucks. The clerk asks me for a picture I.D.

Where do they get bookstore clerks? What’s wrong with them? This was an instance of “because I can.” It’s hot. I’m irritable. Do I look like someone who’s going around stealing people’s identities to buy moldy dollar paperbacks from Brattle Books? Because that’s what you’re saying. In the guise of protecting me. It’s the very definition of “retail passive-aggressive.” Seriously.

I said, no, I don’t have a picture I.D. I don’t have a driver’s license, and I’m not going to carry around my passport for a five dollar purchase here and an eight dollar purchase there. Just ring me up. Well, did I have something with my name on it, at least? I took out another card with my name on it, but if I had stolen the debit card, I could have stolen other cards, too, right? So, what’s your point?

Don’t get me wrong. There are definitely situations in which it makes sense to ask for I.D., and situations in which it’s just the clerk—or the waiter or waitress—throwing their meager weight around. Like, I was at this restaurant in Cambridge having dinner, ordered a beer, and the waitress demanded I.D. I didn’t have a picture I.D. I’m like, look, I could not be mistaken for under twenty-one by anyone. She’s like, sorry, no picky, no dwinky.

When the clerk at the bookstore had finished with me, he actually apologized to the guy in line after me, for me. I mean, he was like, sorry that guy was in front of you and you had to wait. And it’s not like it took any time at all to ring me up. Seriously, I think it’s some kind of syndrome amongst bookstore clerks.

I wonder if the Kabbalah can shed any light on that?




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